Vedic period music

Other forms of Indian music are found in the

 Vedas. There is a great difference of opinion among the scholars regarding the period of Vedas, but its time was about 2000 years before Isa - all the scholars agreed on it. Therefore, the history of Indian music is at least 4000 years old.

Vedas contain mention of fibers of varieties, harp and grapefruit etc. Dudumbhini, Gargar etc. are mentioned in the depiction of the instruments, in the case of the concussion, or in the horoscopes and golden instruments, Bakur, Nadi, Tunaav, conch etc. are mentioned. In the 19th and 20th chants of the 30th edition of the Yajurveda many [instrumental] are mentioned in the playwright, which seems to indicate that many types of instrumental business had started till then.

The oldest music in the world is found in Samaveda. At that time "vowel" was called "yama" Samay was so close to the music that Sam was able to understand the synonyms of vowel. In Chhandogyopanishad this thing has been clarified as Q & A. "Samo momentarily? Vow iti Hovwach" (students, eg 1. 8. 4). (The question "What is the speed of Sama?" Answer "Vow". Samad's "Self" is a vow of "Swan". That is, the one who knows the tone of the body gets "Self." The word "self" of Sama is same.

The song of three vowels in the Vedic period was called 'Samik'. It is only by the word "Samik" that "Sam" was sung only with three vowels. These vowels were "G re S". Gradually, the songs of four, five, six and seven vowels begin to grow. Six and seven vowels get very little content. The more "sam" matches up to three to five vowels. The names of the yamas (vowels) of Samadhi reveal the sequence of their attainment. As we have stated, the content was clearly received in the first three words ("vowels"). They were named - First, Second, Third. These were all in descending order. He was succeeded by his mother, whose name was fourth. Most of these pieces are found in four vowels. The names of these four vowels are in numerical terms. The names which come after them are expressed by descriptive words. This confirms the imagination that they have been received later. "Gandhar" also received a high tone "medium", which was named "Kursush" (loudly pronounced). When a downward voice from Nishad was received, his name was "slow" (severe). When one more tone below it was received, then its name was "Swamshwar or Highly Awesome". It means the last limit for the sounding.

The group of fixed sequences of possible vowels is called "Sam" in music. In European music it is called "scale"

We can see that by gradually developing, the whole village of Sama was created like this -

Malicious, first, second, third, low, self-esteem

We have already said that Sam's village was descending order.

Samagana often has seven parts - Hunker or Hinarka, Proposition, etc. Origin, Pratihara, nuisance and demise. Its lead singer is called as Riggeta. Usagata has two supporting singers, who are called presenters and counterparts. The song starts with a hanker or hoonar, whose speech, the presenter and the responder simultaneously do. Its main part is called Vignath. It sings up There is an integral part of it which is called pratahara. It sings reporter The part that comes after it is called nuisance. It sings up The deceased or the last person, the originator, the presenter and the guardian come together all three. In the end, all together sing the voice of Pranava, ie Omkar.

Samaghan Swarup

Main article: Samagana

Samagana has its own distinct notation (notation). There is a misconception among the people that Indian music did not have an autobiography and it is the fulfillment of European music. For recitation of all the Vedas, there are distinct signs of sublime, grateful and vowel but for the songs of Samaveda, the rishis had prepared a complete scripture. This was the oldest manuscript in the world. This is the oldest script in all of the world. Some of the songs of Sumer also get recorded in the Yatra script. But he did not get any literature. Therefore, it can not be said specifically about its subject. But all the mantras of the Samaj get written in the script, hence they can still be sung in the same form.